Figueroa Los Angeles, California
The World As We Know It is an electronic album made in the absence of instruments. At the same time, it is a guitar/vocal album and entirely human. And so we have something of an anomaly.
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supported by 1064 fans who also own “Weather Girl”
Above all this is truly inventive in a way that very little current electronic music is.
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supported by 945 fans who also own “Weather Girl”
Tout oppose en apparence Fear in a Handful of Dust et Long Stories, le premier étant placé sous le signe du conflit, de la dualité — qui était annoncée dès la pochette et confirmée par le choc entre les notes erratiques et l'ambiant calme — tandis que le second est une collection de berceuses contées avec de l'IDM ambiant. Mais en réalité, ces deux opus se rejoignent car, dans les deux cas, Amon Tobin veut créer un pur moment d'harmonie et surtout une harmonie fabriquées avec ce qui est cassé...
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West Coast Love Stories
by Stone Giants
supported by 903 fans who also own “Weather Girl”
this album wears its heart on its sleeve and sort of asks you to do the same i feel like. helped me through some stuff, thank you stone giants
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Astralingua mixes otherwordly folk and augural classical music into their newest offering.
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An stunning debut that explores Greek folk tradition through a dreamy musical ecosystem.
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Breaking and Mending
by Lisa/Liza
Lisa/Liza's delicate psychedelic folk tunes make something beautiful and graceful from the traumatic experiences of chronic illness.
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Fine Strips of Violence
by Amon Tobin
supported by 895 fans who also own “Weather Girl”
I love these unrelentingly experimental areas you delve into. The percussion took on a mind of its own in Köln Krell and yet never felt excessive. It’s a skill when you can make chaos sound so orderly!
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